Working in 2012 | Military Visual Journalism Program

Coming off of one of the worst recessions in our history, America has struggled to bounce back in its economic and spiritual recovery. High unemployment rates, budget cuts, layoffs and a lack of growth have zapped the spirit from a once-booming economy. For many, the hard work and can-do spirit that once brought with them the promise of the American Dream, have only led to disappointment. For others, the dream survives despite the distress of our current economy.

In an effort to document how the economy affects Americans, we chose to look at the lives of the working (and unemployed) citizens of Central New York and its surrounding areas. While the region wasn’t as hard-hit as many others, the impact of the recession could be seen at every end of the spectrum.

The stories we found were both inspiring and heartbreaking. The people epitomized the highs and lows of a nation struggling to get back on its feet.

We appreciate the families, businesses and individuals who allowed us into their lives. Your willingness to share intimate moments and personal stories has given our stories the depth and truth we set out to find. We hope you enjoy our look at what it means to be “Working in 2012.”

The Newhouse Military Visual Journalism Program teaches active-duty military personnel photojournalism and broadcast journalism, and how to become better storytellers.

Visit the current class website to view their stories and Learn more about the program.

Jeremy Lock selected Military Photographer of the Year for the sixth time
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MSgt. Jeremy T. Lock, USAF

Moments. Emotions. Beauty. Tragedy. Life.

Jeremy “JT” Lock has a passion for immersing himself into and capturing the essence of the world’s people, tragedies, celebrations, and everyday realities–empowering viewers to live and feel those moments through his photographs.

JT has experience, training, and insight that few photojournalists can claim. He’s been in the thick of war battles, shooting with his camera rather than a gun; earning a Bronze Star. He’s documented the realities of life in disease- and poverty-stricken Africa. He’s covered diplomatic celebrations, funerals and historic meetings. He is specially trained to shoot from the air and under the sea. He is the sole military photographer to be recognized six times as the best in the business (Military Photographer of the Year, 2003, ’05, ’06, ’08, ’10 and ’11).

“I thrive on working stories, diving into each experience, and living for a moment in a world outside of my norm,” JT said. “It is an honor to be able to share my vision and hopefully foster awareness, understanding, and empathy.”

Nearly 20 years ago, JT was assigned to what has become his life’s work. An Airman in the United States Air Force, he was tasked with darkroom tech duties. He worked his way up to photographer and now, still active in the military, serves as a photojournalist for Airman Magazine at Ft. Meade, MD. As such, he captures his unique perspective of military life, war, and foreign cultures, and people in storytelling shots. Each photograph not only transports the viewer into that moment and offers a breath of that experience, but also records history for the United States’ military and government.

He also ably translates his broad military experience into expert photography for numerous major media publications worldwide including, National Geographic, Time Magazine, The New York Times and The LA Times. In 2002, he worked in collaboration with 125 of the world’s leading photojournalists on a book entitled A Day In The Life Of The United States Armed Forces. His work also appears in many books including, NYC Life Going On and The War in Iraq. One of his latest projects was working as a New York Life photographer on a documentary for PBS title Slavery and the Making of America.

When asked what he looks for when picking images for his MILPHOG portfolio Lock replied, “I look for visual variety and storytelling images. I work on building my strongest stories and filling in around them.

I shoot for my customer and myself throughout the year, NOT MILPHOG. If you are a true working photojournalist you will have plenty of images and stories to go through at the end of the year. However there has been times where I start looking at my portfolio in December and notice I am missing sports, so I will go out and shoot some sporting events. Doesn’t happen too much though.

If you are shooting for a contest (MILPHOG) you are not shooting for the love of it and you will be missing out on a lot of moments and what the true story is. Because you will have blinders on. Shoot for the love of storytelling, not the status.”

When asked what military photographers/photojournalists should work on the most when it comes to their photography, Lock replied, “I think they should work on taking risks (trying things they wouldn’t normally do) and showing me something different I wouldn’t see if I was there next to them or at the same event.

I feel they (many military shooters ) are missing storytelling images with moments in them. You really need to watch people and study them capturing their true feelings on how they feel or what and why they are doing what they are doing.

The most important info I can pass on (to younger shooters) is to have mentors. If you truly want to get better in your craft you need to be out constantly shooting and getting your work critiqued.

Go to the mentors who offer advice and explanations. I definitely wouldn’t be the shooter I am today without the mentors in my life! I also like to have a yearly project, one that I can go back to after being critiqued.”

Parting advice: “Have fun! Take risks! and See moment!!!”

Visit his website: www.jeremytlock.com and his two year project: www.keriswar.org

Images from his 2011 winning portfolio – Click on thumbnails for full image and captions -

A video piece from CBS News on J.T.

It came without warning by Brian Christiansen
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Brian Christiansen

April 27, 2011 – Kabul, Afghanistan

It came without warning.

Yelling.
Screaming.
Confusion.
… Action.

My office sits behind a 60-person auditorium on the second floor of what looks like an old hanger. Our office could have been a projection room and storage area for the auditorium. We have plenty of space, all 4 of us. But there’s no air conditioner. Welcome to sweatville – especially in the afternoons. We sit right above the main entrance of our building, and because of the poor construction, you can hear pretty much every conversation of those coming into the building.

It’s our job to document everything of importance here at the 438th Air Expeditionary Wing. Ask people what “importance” is, and you’ll get 300 different answers. Importance is defined in this office is as, what will turn heads? Grip and Grins… not so much. Some random general making a visit to get his picture taken, to prove he was here? – Not if I can help it. A box of nomax hoods that arrives from North Carolina, donated by funds raised by volunteer firefighters? – I’m on it.

Our “other” job, is to train the airmen of the Afghan Air Force public affairs office how to take photos. It’s time consuming… just trying to land the same day so it’s convenient for the public affairs office. Once we get going in class setting, it’s not that bad. If patience was a belt, I’d be wearing a 2×4.

Getting back to it, our office of 4 – it’s our responsibility to train an office of 8 people. We really didn’t have a plan we I arrived here. After finding indirectly that it was an additional duty, we just knew we needed to start going over to their headquarters building every couple days and talk about photography, video or something to do with public affairs.

No Set Schedule.

“For now, Christiansen, I want you to go over there once a week and just talk about photography”, my supervisor delegated to me, without giving me any set details. Um…. ok. I know the Afghans in the PA office. Other than speaking Dari, and not really knowing what they are saying, they’re pretty cool. They always offer me chai tea when I go over. Normally, I always have Yama, our Afghan civilian who’s our translator. Good kid. 20-something.

It was my turn to teach. It was my day. I woke up in the most foul mood. I didn’t want to help them… I walked to work late. I knew I was going to tell my boss I wasn’t ready to teach them. I’d lied. I was in the foulest of moods and couldn’t figure out why… and didn’t care.

I left my dorm around 8:30am. We have to be at work by 7:30am. Ooops. The first time I slept late. Generally, if you are running late to your own office, you might think about bringing doughnuts. There’s not a Krispy Kreme for 8000 miles.

My boss had made his point a few weeks earlier. If you need a morning that you want to sleep inn, go ahead and take a couple hours.” Since we work 7 days/12 hours a day, we need a breather. This morning happened to be mine. I slept past my alarm. I was in a foul mood. I mean… no coffee, out of coffee, and there isn’t any coffee for miles — type of mood.

Photo by Brian Christiansen

We have to walk a mile to work. Then we have a mile to walk back to the dorms. Then we walk to lunch, about 3 blocks, and then 3 blocks back. And then another mile back to work. And then a mile back to the dorms at the end of the day. Now that you have all that in your head, there’s a turn style about 1/4 of the way to work. It’s like a turn style made for Oopma Loompas. Seriously – if you have any gear on like a backpack, you have to take it off and have it in front of you, as if it’s another person, in order for you to get thru.

So, it’s 8:30am. I’m walking to work by myself with my leather holster and wearing my 9mm pistol. We wear them every day – it just goes with the territory. I’m walking under this cloud in my mind that was bringing me down. I was pissed at the cloud. I still don’t know why I was mad. I remember bumping my head against one of the railings going thru the turn style, and that pissed me off even more.

My long walk became even longer when an Afghan Army soldier walked out onto the street, he was about 20 yards in front of me. He was going in the same direction I was. He kept turning around, looking at me. My eyes were hidden by $10 Target plastic sunglasses. Again, and again, and again, he kept turning around while we were walking that 3/4 of a mile scanning me to see what I was doing, to see my reaction.

While he had turned back in the direction he was walking, I unsnapped my holster, more from anger, and less from cautious observation. He finally turned to his right. I kept thinking about it. What would I do? Could that have been something real, or was that guy just paranoid? My mood returned to me as I got closer to my building, and I could swear it was Monday, I wanted nothing to do with work.

“Sorry”, I softly and carefully said to my boss; and in the same breath I said, “I don’t think I’m ready to teach this class”. I didn’t want him to know that I was in a foul mood. In the same breath I remember saying to him. “I just really want to give them the best presentation possible.” I was lying thru my teeth. “No problem. We can work on it tomorrow or the next day. Right now I have to go over and see their public affairs officer.” And there went my boss. I was standing there with my backpack still on, and my head still ringing from hitting the turn style and he ran out the door. I thought it was absolutely perfect – I didn’t have to deal with him for the next hour. I could just unwind.

That’s what I did. 2 cups of coffee later, I sat at my desk checking to see what news was happening back home online. We have this young 22 year old Navy kid. He’s an OK photographer. Not great, but decent, that works with us. He sat in his corner of the room, and I sat in mine. We sat there for a little over an hour.

Then we heard it. I’ve heard it before, but I just couldn’t believe what I was hearing. Shots fired in the distance. Yelling. Lots of yelling just outside our door. Boots on gravel running. Our office sits on the second floor overlooking the gravel parking lot… except that we don’t have an overlook. “WHAT WAS THAT!!? I’m gonna go find out!!” I was alone. What I had wished for in the beginning. I suddenly changed my mind. I wanted everyone near me. My photographer came back up the stairs. “SHOTS FIRED! WE’RE UNDER ATTACK! IM GONNA GO HELP WITH SECURITY!!!” “Take your camera!”, I jabbed as he was running out the door. He stopped. He turned around. I’ll never forget what he did next.

He kicked his own desk, and yanked the chair out from it, and it landed sideways on the ground. At that second I was beyond furious with him.

How dare he not take a camera. I was livid. I’d retract any focus of anger towards him later on.

Someone else came into my office and told me to put my helmet and body armor on. “Holy Shit.” Is all I could even say or think. My boss was out of the office, my photographer was somewhere playing security, and here I am, trying to wrestle my vest on, and I’m thinking… “This isn’t supposed to happen.” Five minutes later I was downstairs where the WOC (Wing Operations Center) was. A room with the sign “Secret”, was above the door, and the door was wide open. About 5 officers were huddled inside the room, talking on radios, cell phones, and one on a dry erase board.

I had my camera. Someone told me to go to “Black”. Black is where you arm your weapon, there’s a chamber in the round, and it’s not on safety. In other words, expect the worse. I stood there listening to the intel that was coming over the phones, and the airman writing down information, and verbally repeating what he was hearing. He said something that will forever change my view of a military exercise to a military operation.

“Confirmed 5 American casualties….. understood… fatalities”

Kabul, Afghanistan. Master Sgt. Gabriel Browning (left), and Captain William Boland of the 438th Air Expeditionary Squadron, kneel to pray after they found out that 8 Airmen and a contractor were killed in a shooting at the Afghan Air Force base headquarters across the street just minutes before. (U.S. Air Force Photo/Tech. Sgt. Brian Christiansen)

The worst feeling in the world took over the room, and two men exited without making a word and immediately got down on their knees, and prayed.

Less than a minute later, they stood, shook off everything they could, and returned to their office to do their job – monitor the radios and receive any information to help us. To us, we were at war… and alone.

We were in lockdown mode. No one left. No one came inside. Everyone who had body armor wore it. All personnel had their weapons ready to fire — we were all defenders that day, and there was no way in hell anyone who didn’t belong was going to get inside.

“There’s got to be a mistake. There’s no way that something like this could happen.” I heard several people quietly asked others. “I don’t know.” The information wasn’t coming in fast enough. It was hardly coming in at all. Only a radio inside the WOC (Wing Operations Center) kept coming to life with that hissing tone right before someone would begin their transmission.

There were about a dozen of us huddled in the front entrance of our building that doesn’t have any windows – only the one door. You could see, feel, hear and touch the confusion and shock, and the ready to react – in everyone’s eyes and their voice – if they even spoke.

We looked at everything beyond our fence as a war zone.

Several of us took key positions around the building, creating a security perimeter. We didn’t know what we were up against. Information wasn’t coming in. Imaginations were louder than voices.

One man?
Two men?
Suicide bomber?
A truck full of Taliban?

For the next 6 hours we were pinned inside of our building. “How long are we going to stay here?” was the common question. As the day went on, more and more personnel who worked in different buildings were allowed to enter. We were the only safe refuge on our side of the base. They brought their Afghanistan translators. “No cell phones, no calls, no texts!” The order was given to the translators, just in case…

There’s a phrase that is said by everyone, everywhere. “It’s great to see you.” That phrase will always mean something to me from now on. When at first we didn’t know who the 9 were every time another person that you knew came thru the front door, you heard yourself say, “Thank God.” You instinctively ran over to them and hugged them, and spoke to their heart, “It’s great to see you.”

We didn’t know. All we knew is that our spirits went totally south when someone came on the radio to make an update. “9 Americans….”.

People began talking about what they knew. Enough information was exchanged, between everyone, so people figured it out. The 9 names were whispered. People began crying. People huddled together, and sat staring at each other. They avoided looking into others eyes. That’s when it hurts more.

We stood, sat, leaned, and supported each other in the main area of the 1st floor of our building. Normally a huge gym, this area now housed close to 100. Every translator and evacuee from the buildings that were nearby filled it from wall to wall. Some of us had our bullet proof vests on. A handful only had helmets, most of us had both, but we all had weapons.

The radio came to life. I scurried to the edge of the room so I could listen “….It all happened inside the Afghan headquarters.”

What?

I’m trying to make sense of something that I just can’t fathom. That’s where I was supposed to teach a photography class that morning…. in that building. My mind did one of those weird flashbacks… I was in a foul mood and I didn’t want to go… I later found out that it was in the room next door. My mind was busy wrapping itself around that I almost missed the announcement. “We’re moving out now!!”

We were told to collect anything we needed to take with us. Needed… not wanted. We were leaving our compound, and going back to the NATO side of the base. We hadn’t left the building all day, except for a small few of us, who tried to find any cover of protection, and provide security, even if it was a 5 inch wide support pole for an awning, it was cover for the time being. Others had left much earlier in the day, but were given the worst possible duty known to anyone – recovering the fallen, and their belongings. God bless those people and the medics on scene. God bless those families.

It was close to 7pm when NATO forces came to evacuate us. It was the Belgian army. Because of the immediate threat, no one could get in or on the base during that period of time.

Several large troop trucks were waiting for us in our parking lot. We were escorted out of the building in a single line, and all translators were searched for weapons.

The back bumper of each truck seemed to be about 4 feet off the ground. In order to somehow climb it, while we were wearing all the vests, helmets, backpacks, and our weapons, it took pulling from people inside the truck, and people pushing from the ground to get inside.

Our compound sits right next to an entrance of the runway. Once our driver cleared the gate, he floored it. I’ve never ridden in the back of a truck that was going so fast on an open flight line. I felt like we were going to fall out. They drove past the blades of several helicopters with inches to spare from the tops of trucks. I looked to my left to the back of the truck. Beyond exhaustion was everyone’s faces.

We arrived at the NATO side of the base. The drive couldn’t have taken more than 30 seconds. After the trucks parked, we all got out, and walked in single file lines. Military walked on as every translator was searched again.

They had us go into a huge tent to await debriefings. We were agitated, exhausted, irritable, and patience was the last thing on our minds. So was the food. That was our next stop. We took turns clearing our weapons before we all went into the dining hall where we would all synchronously play with our food for the next hour as the realization set in… 9 of us were gone.

Every seat was taken. People were standing up. No one was talking. We sat there, silent, trying to avoid each other’s eyes. There was nothing that could be said to comfort. The shitty food that was served to us, sat untouched in front of most people. This was our first meal of the day.

I found my Navy photographer. He was standing next to a group of people. He looked awful. His eyes looked glazed over like he had seen death. He had. I remember putting my hand on his shoulder, and just holding him.

The rest of our office made it over. There wasn’t much that was said.

A General filled the room with his voice, without the need for a microphone. “If there is anything you need, we are here for you”. Chaplains were in every corner of the dining hall, beginning to make their rounds.

They had collected our ID’s as a type of accountability when we had first walked into the dining hall. Now, they were trying to hand them out. Five officers with a large stack of ID’s, yelling the names. Only slightly confusing.

We were told not notify next of kin if we happened to know them. We walked back to our dorms – no one walked alone. No one wanted to be alone. Most grabbed a shower right away and sent a quick email home, letting their family know they were ok, but to watch the news.

This is how we coped. Every night a few to several of us sit in our hallway and talk about our friends -- the ones who aren't here anymore. (U.S. Air Force Photo/Tech. Sgt. Brian Christiansen)

No one wanted to be alone. It started with just two of us sitting in the hallway against the walls, talking outside my door, and ended with more than a dozen people. We sat there exchanging stories of where we were when we heard. We talked about the names and how well we knew them. Everyone seemed to take random turns looking down the hall at two doors whose owners wouldn’t be joining us. Maj Ambard and Master Sgt. Tara Brown.

It was about midnight when the base chaplain came in, and gave us a few words of comfort. He wrote on a dry board. The message stayed on the board for the next 3 months. By 2am we were shutting down and went to sleep. The next day was going to be harder than this.

We were told to meet in the dining hall by 0800. Again, the food sat in front of people, hardly touched, this time was breakfast, or at least resembled it.

Kabul, Afghanistan. Airmen of the 438th Air Expendiary Wing join in prayer before the dignified transfer of remains begins at the Kabul Internationl Airport. (U.S. Air Force Photo/Tech. Sgt. Brian Christiansen)

Our leaders were looking for volunteers – to participate in the dignified transfer of remains. Friends, roommates, coworkers, supervisors, best friends – all took positions flanking the 9 flag draped containers.

The sight was overwhelming. It took your breath away to see that many flags in a row. Many tried to push their emotions aside, and carry the fallen. I was asked to take pictures for the families. In all my years as a photographer, and all the military funerals I’ve covered, including one at Arlington, this was overwhelming. It seemed like thousands of military personnel, from every branch, from every country stood there at attention, saluting our fallen friends as they were being carried to a C-130 cargo plane.

The days merged and we sat in the dorms for the next couple of days as we awaited what was next. Our jobs were on hold as investigation teams combed thru the “incident” site. Just a note. We all hate the word incident.

We were given an order by an Army 3-star general. March the entire 300+ Wing in full battle rattle back to the Afghan side of the base, to “take back our base”. Interesting choice of words since the Afghans 1)owned that side of the base, and 2)march down the flight line to one of the hanger – thus showing the two Afghan gate guards that we meant business. And boy we really showed them. The mile long march to and back was really wearing on those who were wearing thin already. Once inside the aircraft hanger, we were briefed on what happened, what will happen, and how things will work – security, logistics, hours. You could see the pain in people’s faces as they listened to the blueprints of what would happen next.

What seemed to be hours, we finally got back to our dorm and found out the memorial service would be the next day.

A military member pays their final respects during a memorial service for eight Airmen and one retired Army civilian contractor killed on April 27, 2011 when a gunman opened fire during a meeting. The event is the deadliest single attack on Air Force members since the 1996 attack by terrorists on Khobar Towers in Dhahran, Saudi Arabia. (U.S. Air Force Photo/Tech. Sgt. Brian Christiansen)

Helmets, rifles, dog tags, boots. Nine of them. The striking and eerie memorial you see at most every American hero who is laid to rest. But never had anyone ever seen Nine. 5 had the helmet of a pilot, complete with the dark visor pulled down and oxygen mask and hose. The other 4 were mounted with the basic soldiers’ helmet. 4 of them. Nothing basic about it.

It was Sunday afternoon. It felt like 3 weeks had gone by – not 3 days. People began lining up close to an hour and a half before the service started, to say goodbye to these makeshift statues. As the line slowly moved, every person reached out and held the dog tags of each of the fallen. People were leaving coins, patches, cigars, and even a set of glow in the dark neon glasses on the base of each figure.

The program finally started. It was silent. You could hear the sniffles of so many people trying to keep it together for the next hour. They performed a roll call. It hurt even more when they got to silence. Those stating they were there were deafened by the silence.

A U.S. Army Chaplain delivers a benediction during a memorial service for eight Airmen and one retired Army civilian contractor killed April 27, 2011 when a gunman opened fire during a meeting. The event is the deadliest single attack on Air Force members since the 1996 attack by terrorists on Khobar Towers in Dhahran, Saudi Arabia. (U.S. Air Force Photo/Tech. Sgt. Brian Christiansen)

“Major Brodeur”. Silence.
“Major David Brodeur”. Even more Silence.
“Major David S. Brodeur. Deafening Silence.

Each name was read 3 times each. People were balling by the end of the end of the service.

It was finally beginning to hit me. The service was over, and I stood there with my camera at my side, towards the front, and knew that I needed to observe with my eyes and heart instead of my lens. People were saying their final goodbyes while they slowly shifted from one statue to the next. It was getting stronger. The knot that starts in your throat and begins to take over your heart. I almost had control over it, except someone touched my shoulder, “We’re going to get thru this”. I was useless at that point.

We returned in force a few days later. No one ever let their guard down. We continued where we left off. Advising the Afghan Air Force. Everyone watched the backs of everyone else. We would not let something like this ever happen again.

It is one year later. We lift all the families – the Bryant’s, the Brodeur’s, the Ausborn’s, the Estelle’s, the Ambard’s, the Ransom’s, the Nylander’s, the Brown’s, and the McLaughlin’s, all of your entire families, we lift in prayer for your continued healing.

None of us will ever forget.

We will never forget them.

Editors Note: Brian is a photojournalist for the North Carolina Air National Guard during “Guard” weekends, and during the week, he works for the N.C. Army Guard – doing the same thing. “It’s my job to capture life — unscripted. Everyone has a story, it’s my job to help tell it in pictures.”

In Honor and Memory of:

Maj. Philip D. Ambard, 44, of Edmonds, Wash. He was assigned to the 460th Space Communications Squadron, Buckley Air Force Base, Colo.

Maj. Jeffrey O. Ausborn, 41, of Gadsden, Ala. He was assigned to the 99th Flying Training Squadron, Randolph Air Force Base, Texas.

Maj. David L. Brodeur, 34, of Auburn, Mass. He was assigned to the 11th Air Force, Joint Base Elmendorf-Richardson, Alaska.

Master Sgt. Tara R. Brown, 33, of Deltona, Fla. She was assigned to the Air Force Office of Special Investigations, Joint Base Andrews, Md.

Lt. Col. Frank D. Bryant Jr., 37, of Knoxville, Tenn. He was assigned to the 56th Operations Group, Luke Air Force Base, Ariz.

Maj. Raymond G. Estelle II, 40, of New Haven, Conn. He was assigned to Headquarters Air Combat Command, Joint Base Langley-Eustis, Va.

Capt. Nathan J. Nylander, 35, of Hockley, Texas. He was assigned to the 25th Operational Weather Squadron, Davis-Monthan Air Force Base, Ariz.

Capt. Charles A. Ransom, 31, of Midlothian, Va. He was assigned to the 83rd Network Operations Squadron, Joint Base Langley-Eustis, Va.

Jim McLaughlin, 55, of Santa Rosa, Calif., worked as a civilian contractor in Afghanistan. He was also a retired Army lieutenant colonel.

MPJ Profile: Keith “The Bull” Stevenson

Keith “The Bull” Stevenson

MPJ Connection: Tell us a little about yourself

I’m Keith “The Bull” Stevenson and I grew up in Oklahoma and Texas, graduating from Wichita Falls High School, Wichita Falls, Texas. Currently I’m the U.S. Marine Corps Combat Camera Limited Duty Officer (LDO), III Marine Expeditionary Force, at Okinawa, Japan.

MPJ Connection: How did you get started in photography?

My first experience with photography was as a senior in high school. I was invited to be a member of the yearbook club. During that experience, I attempted to shoot a few black and white photographs on film. The images did not turn out, but I feel that the experience was my real introduction to photography. A few years later, while sitting out a semester of college, I joined the U.S. Army Reserves. I happened across a Military Occupation Specialty Manual, and I flipped through it and by chance found photography listed. I had been pursuing a degree in commercial advertising and needed a photography course. So, I selected photography for my military career.

MPJ Connection: Branch of service you are or were in?

I joined the U.S. Army Reserves and completed Basic Training at Fort Leonard Wood, Missouri in 1989 – affectionately known by many soldiers as “Fort Lost in the Woods.” I completed military occupation training at Lowry Technical Training Command, Lowry AFB, Denver, Colorado in 1990. In 1991, I joined the U.S. Marine Corps in an attempt to deploy in support of Operation Desert Storm.

MPJ Connection: If you attended SU/RIT what year did you graduate?

I graduated Syracuse University’s (SU) Military Photojournalism Program (MPJ) in 2000.

U.S. Marines tread through the tall grass just of the coastline of Iwo To Island, known to many Americans as Iwo Jima. As I took this photo, I wondered what it must have been like for so many young men who were there just before the famous World War II battle between Japanese and U.S. forces in 1945. (ISO 640, f/22 @ 1/125, 28mm Lens) (DoD photo by Keith A. Stevenson, U.S. Marine Corps.)

MPJ Connection: How has that training affected your photography?

The training that I received from SU has made all the difference in the world. I cannot express how much that program has changed my life. I learned how to think much more critically; it challenged me to see just how interconnected the world really is; the program made me aware of subsurface issues and dynamics that point like arrows to the bigger story; and there is so much more. Having access to lead-industry professionals, who stop in to offer students seasoned advice, and the high professional standard expected of students and displayed by professors was continuous and cannot be overstated. Add to this the hunger and excitement of classmates determined to excel. SU’s MPJ program offered a truly stimulating educational environment in which to study the professional craft of visual communication and develop as a professional person. I was inspired there like no other place, and I am still inspired by the experience to this day. It [the training experience] directly transfers and enables me to see the role of Combat Camera as a multidimensional and dynamic force for a sophisticated global information environment.

MPJ Connection: Who has influenced your photography the most?

I have been influenced by a multitude of people; I can’t point to one person. When I first started out, I would say the commercial photographer Dean Collins. Through his work, I gained an appreciation for quality of light. Certainly, at the top of the list would be David Sutherland (SU professor), because he helped me to understand the discipline that would enable me to define the shot I wanted. I would also mention Chip Maury, Eli Reed, and Ken Hackman (DOD Worldwide Military Workshop mentors) and Bill Frakes. Paul Jensen, a personal friend and mentor. My MPJ 2000 classmates Robert Houlihan, Preston Keres, Matthew Hevezi, Jeremy Lock, and Randell Robinson have all influenced me. I’ve been inspired by Robert Benson (MPJ 1998), Aaron Ansarov (MPJ 1998), Jeffrey Elliot (MPJ 1987), Lance Cheung (RIT 1994) and Si Pithong (MPJ 2008). Again, there are many people. Some of them I’ve had opportunity to work with and others I have not. I can’t list them all. Each has helped me in some way.

MPJ Connection: What do you love about photography?

I love and recognize all types of photography. Photography, more pointedly photojournalism, augments voice and opinions. Photojournalism can transcend the limitations of the spoken language, economic class, education, ethnicity, national borders and time. It can quietly seduce. It can scream an alarm of social injustices on behalf of those unable to get a proper forum. It records our greatest triumphs and successes; reminds us of our frailty; and cautions us with respect to past evils. It can bring us together, and it can separate. It is art. It is science. It is a responsibility. It is a public trust. What I love about photojournalism is that it is a vehicle that empowers.

This photo,taken while I worked at the Pentagon, served as encouragement to apply for one of 25 seats at the DOD Worldwide Military Workshop. A year later, I applied and was accepted to the MPJ program. (DoD photo by Keith A. Stevenson, U.S. Marine Corps.)

MPJ Connection: What do you consider the best photo assignment you’ve covered to date?

One assignment would be a self-generated one. I was working at the Joint Combat Camera Center (JCCC), a non-shooting assignment as a staff sergeant. One day, I happened to look out a window of the Pentagon and noticed a large gathering. I instinctively grabbed a film camera from the office and ran down to the interior outdoor courtyard to see what was happening. It turned out that former President Jimmy Carter was there with the Honorable John H. Dalton, who was the Secretary of the Navy at the time. The gathering was a ceremony for the naming of the last Seawolf class attack submarine in honor of President Carter. I took some photos, captioned, and submitted the images through JCCC.

I feel that this experience helped to influence me to apply to and be accepted for the DOD Worldwide Military Workshop and a a year later the MPJ program at Syracuse. Today, one of my favorite images from that shoot is still in circulation. Continue reading

Nikon D800 SLR Digital Camera

D800 List Price $2999.95

The Nikon D800 SLR Digital Camera is more than a DSLR, it’s a broadcast quality video camera as well. Driving both still and video capture is the FX-format CMOS 36.3Mp sensor and the powerful EXPEED 3 image-processing engine. Backing up the heart of the camera you’ll find an optical low-pass filter that reduces false color and moire, and an ISO range of 100-6400 that’s expandable to ISO 50-25600 equivalent. Additionally, the D800 boasts 14-bit A/D conversion and 16-bit image processing. What’s more, the camera’s Nikon F mount accepts a multitude of NIKKOR lenses, included DX lenses and AF-S lenses; and Nikon Speedlights provide exceptional flash capabilities

The D800′s Advanced Scene Recognition System with a 91k-pixel RGB sensor brings out precise, accurate colors in every scene, for natural-looking results. Face detection and a detailed scene analysis support more accurate autofocus, auto exposure, and i-TTL flash exposure for any number of compositional and lighting situations. When combined with auto-area AF and subject tracking in 3D-tracking, your images are even more fine-tuned. In addition, the 3D color matrix metering III feature results in pleasing auto exposures, especially when human faces are in the scene.

The D800 utilizes Nikon’s i-TTL system, for the supreme in accuracy and balance. When combined with Nikon’s Speedlights, high-quality stills result. Of course, the camera also has a built-in pop-up flash for those spur-of-the-moment snapshots and other casual pics. The D800 also utilizes Nikon’s auto white balance which is equipped for a wide range of shooting situations. The Advanced Multi-CAM 3500FX autofocus sensor results in sharp images, even in low-light and the four AF-area modes give you the versatility you need to shoot everything from stills to street scenes to landscapes and more.

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Patricia Sue Schoenhoff

Patricia Sue Schoenhoff

Patricia Sue Schoenhoff, 76, was born October 28, 1935 in Appalachia, VA, passed away February 4, 2012 at Redlands Community Hospital. Patricia was an independent, energetic woman who lived life to the fullest. She was a devoted wife to here late husband, Shane, and a loving mother to Steve and Scott.

She is survived by her sons Steve Schoenhoff of Lake Isabella, CA and Scott (Diane) Schoenhoff of Calimesa, CA.

Patricia was active at Valencia Lea senior community park where she had many friends playing bunko and socializing with her neighbors.

Services will be held on Thursday, February 9, 10:00 a.m. at Bobbitt Memorial Chapel, 1299 E. Highland Avenue, San Bernardino. Interment will follow at Riverside National Cemetery, 22495 Van Buren Blvd., Riverside, CA. staging area #5

Condolences may be left on line at www.bobbittchapel.com

Published in San Bernardino Sun on February 7, 2012

- Patricia was the PJ’s secretary at Norton for many years years before retiring in the 90′s before the squadron moved to March AFB. She was like a second mom to many of us PJ’s that served at Norton and she will be missed.